AM1 -- 16" body, "X" bracing

The proportions and geometry of this traditionally x-braced guitar are the result of having applied physical acoustic principles to the design in order to obtain the greatest harmonic resonance. This design also adds clarity and definition to the characteristically powerful sound of the flattop guitar. The selection of tonewoods for the back and sides provides further options in customizing the sound to the guitarists needs.

AM2 -- 17" body, special bracing

This fine flattop guitar also utilizes some of the theoretical principles pioneered by Kasha and Schneider. Combining the finest possible materials and a painstaking construction method, the AM2 Supreme achieves the highest quality of sound. Its larger body size, extraordinary balance, clear separation of notes and unparalleled harmonic precision, make this the perfect guitar for lovers of pure acoustic sound.

AM3 -- 14-1/2" body, "X" bracing

CM1 -- Nylon string guitar, 14-1/2" body, special bracing

This nylon string guitar is the product of a marriage of modern and traditional designs. Its sound achieves the necessary balance between the traditional Spanish guitar and the brightness and presence required by many modern guitarists. The size and shape of the body, the bridge position and the bracing pattern allow this guitar to maintain it's deep classical sound while increasing it's sustain and brilliance; allowing for a most expressive instrument with a great subtlety of sound.

CM2 -- Classical Spanish guitar, 14-3/8" body

EM3 -- 14" body with internal sound chambers, carved top, flat back, one pickup; In memory of James L. D'Aquisto

A thinline electric guitar featuring internal hollow sound chambers which contribute to its distinctive timbre, superior balance and precise sound. A single Bartolini pickup is mounted in the neck position and the passive electronics feature a three position coil tap switch which allows for a wide variety of tonal possibilities. The EM3's smaller body size, light weight and 24 fret neck make for superior playability and comfort.

EMB -- Electric Bass Guitar

Solid, 13" laminated body, two pickups

JM1 -- 16" body, 24 frets, carved top and back, "X" bracing

With its easy-to-handle 16" body and its extended 24-fret fingerboard, the JM1 represents the ultimate in playabilty and comfort among archtop guitars. Its clean, precise sound can be amplified with the addition of a floating pickup or a top mounted humbucking pickup with volume and tone controls.

JM2 -- 17" body, 24 frets, carved top and back, "X" bracing

The combination of JM2's 17 inch body and the perfectly arched top and back, result in a guitar of exceptional balance. Like the JM1, the 24 fret neck, 16 of which are clear of the body, allow the player to hit even the highest notes with great ease. The shape and position of the soundholes, as well as the depth of the body, are variable which allow for a huge variety of tonal possibilities. A floating pickup or top mounted humbucker with volume and tone controls are available as options.

JM3 -- 18" body, 22 frets, carved top and back, "X" bracing

The 18" body of this elegant giant helps create a sound which is impressive in its volume and projection. In addition, the resonance, openness and rich timbre of its sound are reminiscent of the sound usually associated with the finest acoustic flat tops. This unrestricted range of sound, make the JM3 an acoustic instrument par excellence and a perfect choice for both traditional and modern guitarist.

JM4 -- 17" body, 24 frets, carved top and back, "X" bracing, moveable soundhole baffles; In memory of James L. D'Aquisto

Designed for maximum versatility and in accordance with the teachings of the late James D'Aquisto, this model attains a sonority, which has fine definition and precision while preserving its superior volume, projection and harmonic richness. The ability to modify the dimensions of the soundholes, the four position tailpiece and the removable pickguard combine to allow the artist the greatest possible flexibility and control over the extended sonic possibilities of the fine instrument.

JM5 -- 18" body, 24 frets, carved top and back, moveable soundhole baffles; In memory of James L. D'Aquisto

Designed for maximum versatility and in accordance with the teachings of the late James D'Aquisto, this model attains a sonority, which has fine definition and precision while preserving its superior volume, projection and harmonic richness. The ability to modify the dimensions of the soundholes, the four position tailpiece and the removable pickguard combine to allow the artist the greatest possible flexibility and control over the extended sonic possibilities of the fine instrument.